In this tutorial, I am going to use a photo reference and a grid. Let’s begin with erasing the outer line on the lower rim almost completely with a kneaded eraser. This is the top edge of the eye. We’ll blend them next, so you don’t have to be precise yet. The upper one is not a big deal at this moment – later we’ll be covering it with more shadow. Realism is not about skill – it’s about attention to detail. Sketch out all the basic shapes. I use Strathmore Bristol Smooth paper for most of my drawings. Transitions between shades of the skin should be subtle and soft, so caress them with your brush. Shade the Pupil. Start them at the upper edge of the eye outline. Per usual, look at your eye drawing and see if you should enhance the contrast, aka darken the shadows. This way you avoid dragging graphite residue to the areas that don’t need it. It’s the second factor defining the contrast. Take your stump and blend what you’ve just drawn. Using a 6B pencil, fill in the pupil. First, dilute the dark circle towards the pupil. How cool is that? The last step here is smudging that dark circle on the outside of the iris we’ve made before. Remember to wear out and tilt your pencil for that. This eraser can be molded into any shape. Next, refine the crease line – make it really dark and rather thick. Condense the lines: toss in some shorter ones – beginning or ending at the wiggly inner circle. Necessary cookies are absolutely essential for the website to function properly. Using a much darker shade, define an outline of the iris. Last but not least: be careful with lines that span across multiple squares. How To Draw A Realistic Eye: Narrated Step by Step - YouTube First, you may want to roll your kneaded eraser on the drawing a couple of times to make the sketch less visible. Nothing would make me happier than seeing your finished drawing made with this guide. Then, do the same at the bottom lid but with a lighter tone – there’s more light reaching this part of the eye. Don’t hesitate to attach your masterpiece to a comment! If you’re drawing with me, open this image in a new tab so you’re able to return to it whenever you need without scrolling back to this part. Don’t forget to refine the outline of the eye, where the lids cast a small shadow on the eyeball. Avoid pressing too hard or else it will be hard for … (Hover over the image to see what I mean). Pro tip: Before I blend a border between two shades, I like to have both of them drawn – adding the second shade later may result in some strokes going outside that border and ruining the already smooth area of the shade number one. This ring usually separates different colors, shades or structures in the iris. Let me know! which i am going to present in academy. Use a blending stump to smooth the inside of the iris. If you’ve added new layers, use a stump to blend them into the rest of the drawing. Try to keep the same distance between them and make them approximate at the same angle. Fill the remaining skin with gentle strokes. Draw a slightly curved curve. Remember that the pupil and the iris should be circles. As you can see, I was a little too sloppy with my cross-hatching, and now the strokes are pretty visible. Look at the picture to see where the switch actually happens. Or check out a free app that’ll do that for you – download one from here. It’s really satisfying to let go while erasing! If so, feel free to skip to step number 9. We need that area to be clean because we’ll not only blend the inside, but also the outer edge of the iris. Even if you finally master the skill of eye drawing, you still have to add eyelashes and eyebrows, and that’s a whole nother kettle of fish. Let’s start together: Draw a slightly curved curve. Where you start is crucial to the eyelashes drawing process. Notice that these hairs grow almost upwards. Tilt your pencil slightly to keep the strokes soft, like on the right side of the picture below. Sketch out all the basic shapes. Blend it too, especially the lower one. Let’s also begin shading the crease. Make it the brightest element of your eye drawing. Look at the reference picture and examine the iris structure again. Make their length irregular, so the shadow looks realistic. Just like in step 19, let’s erase the gridlines first. It picks graphite off the paper, in layers, without leaving any mess. You’ll achieve the best results if the reflection cuts into the pupil, so it’s half there and half on the iris. If so, jump to step 30. Line connecting the outer corner with the brow. I recommend getting a couple of those, as you’ll use them often and they’ll get dirty pretty quick. After you’ve drawn the contour in each square, look at the whole line again and smooth it out. Seeking instructions for a specific part of the eye? Use the tip of a stump to do that, keeping it slightly tilted. These can be close together or as far apart as you want. In the next couple of steps, I’m going to show you how to draw an iris. Sharp pencil, bold strokes. Write more, thats all I have to say. They have to be really thin, so use a rather sharp pencil. The lines in the inner corner must be separated in part. It’s my favorite part of a drawing process – actually drawing with an eraser. Cross the eyebrow line a bit, so that in the next steps you’re able to smooth the transition between these areas. Pro tip: Use an eraser in the form of a pencil, or an eraser pen, to rub out little details precisely. It will be impossible to erase it later without any graphite residue showing. Have some fun. As you can see, I erased a part of a wiggly ring, as well as some lines and larger areas. This is the top edge of the eye. Visibility of the upper waterline depends on the angle from which we look at the eye.

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